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The idea for the present column first came to me after I watched (again) the 1975 Bollywood cult movie, Zanjeer. As most would know, Zanjeer is the story of the angry-young-man-Amitabh Bachchan who is witness to the traumatic twin murders of his parents which orphans him as a child and how he takes revenge for that in his youth. Zanjeer established the hegemonic genre of “angry young man” films and put Amitabh Bachchan firmly on the road to superstardom. So domninating was this genre that it rapidly led to the eclipse of the romantic hero and forced everyone with “heroic” aspirations in Bollywood to enact “dhishoom – dhishoom” roles. In the post-Zanjeer era of Bollywood, only the angry-young-man character could deliver blockbuster hits. Exceptions like Love Story or Ram Teri Ganga Maili were precisely that – exceptions. Almost all other genres and characters were confined to niche audiences or forced to become supporting characters to the angry young man. Other hero-aspirants quickly learnt the new rules of the game and moulded themselves into similar screen personas. Read the rest of this entry »
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